However, after the third inadvertent collision, Mel Gibson’s Kurt takes a moment to reflect, “Guy’s like a snowball magnet.” It’s a line that adds nothing to the scene, except to articulate the physical comedy. It is a familiar gag, and Daddy’s Home 2 sets it to the classic comedy rule of three. Over the course of the scene, the character gets hit in the head by a number of errant snowballs that were either aimed at other characters or carelessly discarded. Towards the climax, there is a recurring gag where a particular character is pelted with snowballs repeatedly and accidentally. One of these sweaters has the best joke in the film. However, Daddy’s Home 2 spends a lot of its runtime explaining jokes that didn’t land the first time around, as if repeating the gag might clue the audience in. In fact, one of the film’s biggest laughs comes from a rehash of a similar gag in Daddy’s Home, something all but tacitly acknowledged by Mark Wahlberg’s Dusty when he discusses the scene in question. Daddy’s Home 2 is never particularly inventive in its humour, often falling back on stock comedy set pieces. However, this burdensome exposition is not confined to plot of character dynamics. The central tension between Will Ferrell’s Brad and John Lithgow’s Don is helpful discussed twice before it is actually acknowledged, which means that the big dramatic confrontation carries no real weight because the other members of the cast have already hashed it out. ![]() Indeed, characters spend entire scenes having conversations designed to set up twists that are due to land in the third act. For a broad improvisational comedy that hinges on the chemistry between its four male leads, Daddy’s Home 2 has a lot of exposition.
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